Wednesday, March 11, 2009
Tuesday, March 10, 2009
Monday, March 9, 2009
Production Documents: Part C
Proposed Schedule
Week #01
-Make final edits to animatic, production design and art direction.
-Shoot high speed/stop motion photography for Shot #06
-See if the above step worked correctly. If it didn't, shoot again during Week #02.
-Assemble cut-outs necessary for Shot #04 and Shot #10.
Week #02
-Take individual frames for Shot #06 into Illustrator for augmentation. Composite everything together in After Effects. See if it works.*
-Animate cut-outs designed during Week #01.
* This is contingent upon the shots taken during Week #01 working correctly. If they do not, everything will be pushed back by 1 week.
Week #03-Week #06
-2D rough animate the rest of the film using Flash.
Week #07-Week #10
-Clean up Flash animation.
-Composite stop motion animations with 2D.
-Fix what didn't work right the first time.
Week #11-Week #20
-Further enhance the whole piece.
Week #01
-Make final edits to animatic, production design and art direction.
-Shoot high speed/stop motion photography for Shot #06
-See if the above step worked correctly. If it didn't, shoot again during Week #02.
-Assemble cut-outs necessary for Shot #04 and Shot #10.
Week #02
-Take individual frames for Shot #06 into Illustrator for augmentation. Composite everything together in After Effects. See if it works.*
-Animate cut-outs designed during Week #01.
* This is contingent upon the shots taken during Week #01 working correctly. If they do not, everything will be pushed back by 1 week.
Week #03-Week #06
-2D rough animate the rest of the film using Flash.
Week #07-Week #10
-Clean up Flash animation.
-Composite stop motion animations with 2D.
-Fix what didn't work right the first time.
Week #11-Week #20
-Further enhance the whole piece.
Production Documents: Part B
Dialogue List
*Note: All dialogue is voice-over narration.
I used to think that new area codes equaled new existences, but everyone still has my contact information. There are no new highways when they all have rest stops; when everyone you know is just a thumbnail representation of every gesture you've ever made; every lie you've been told; every secret you've kept; every sad, lanky bartender who wanted to run away with you in an air-conditioned car. We'll admire the crackle of burning cigarettes in the dry Texas air. No one will notice; no one will care-except for the debt collectors. They always have a friend's phone number in case you conveniently disappear. He still lives in that city. I wonder if he's still sad. He'd probably be much less attractive if he isn't.
*Note: All dialogue is voice-over narration.
I used to think that new area codes equaled new existences, but everyone still has my contact information. There are no new highways when they all have rest stops; when everyone you know is just a thumbnail representation of every gesture you've ever made; every lie you've been told; every secret you've kept; every sad, lanky bartender who wanted to run away with you in an air-conditioned car. We'll admire the crackle of burning cigarettes in the dry Texas air. No one will notice; no one will care-except for the debt collectors. They always have a friend's phone number in case you conveniently disappear. He still lives in that city. I wonder if he's still sad. He'd probably be much less attractive if he isn't.
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